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Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
好电影。每个人都演技炸裂,不过女主老用替身呢感觉
女主的颜值飘忽不定,可能是脸型原因?必须特定角度发型才好看?男主倒是一直挺帅(居然有人说男主毫无性吸引力是认真的吗,搞不太懂现在的审美了) 剧情反正挺无聊的,就是想说一见钟情,毫无理由的付出爱,男主作为丈夫来说简直完美无瑕,难以想象2022了还有这么老套的爱情片。
最后:爱是存在的,存在周围,因为,我们专注在那些死而带不走的东西而无法感知到。
I hear you whisper underneath your breath
或傻得可爱,或蠢得可恶,戏谑中反讽,回顾并诘问。
I hear your SOS, your SOS
她从萨拉到安琪再到萨拉走了一段太曲折苦涩的路,还好她被坚定的他看到再去找,别人可以给解决的短暂漂浮犹疑,只有自己的力量才够勇敢永远。奔着温暖的爱情片收藏,结果太过艰涩残忍,愿一切都被原谅救赎。
或许大家都有身不由己的苦衷,但这确实是一条不归路啊🙁
剧本演技制作都不错,没有很尴尬的设计,女人的无奈尴尬心痛爱恋等都比较真实,男人的塑造相对单薄了点,没由来的颜控
戏剧版的人生,让人觉得印象深刻,更为鲜明的突出了感情的坚韧,可遇不可求!
2020看完还有点觉得好笑,2021看完之后就纯抑郁,横竖一年没一点进步。
女主小时候的妈居然是吸血鬼日记女主,老了。女主实在太作了,逃来逃去干嘛呢,好好日子不要过,哎。。。。。还好这玛丽苏结局挺完美的,美女帅哥真养眼。
2021 done…..never see you again !!! 31随意看两眼也不坏~
有如此心胸豁达又专一且高颜值的男主只有在玛丽苏剧里才有吧,迈克尔,你是来普度众生的。蹭个淘金热历史背景拔高了深度,其实没半点关系。给配乐点赞,奥斯汀系列也能用。
宗教色彩很浓 像是要传教 女主的自我蜕变还是蛮励志的 长得也好好看
在心情很差的时候看一看这样的玛丽苏真的让人心情瞬间变好,就像我们知道糖吃多了不好,但大部分人还是会忍不住想要吃很多糖。
’我从未告诉任何人我的真名.真到现在.因为这是我唯一拥有而不会被夺走的’
救赎之爱 ,褒贬不一,男主的矛盾心理展显过少,男主人物层次有点单薄。
又是丢你老母的一年。另一点感受是,虽然主要调侃的还是美国那些事,但我们确实在长城内待得太久了。很多全球性的事件都没法感同身受。。
改编自何西阿书的电影 男主真的好帅好帅而且好温柔喔 看的全程我妈:“这么好的男人去哪里找?”真正的爱就是包容 原谅 忍耐
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