James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
太温柔了…当光芒从地底浮现,植物在trolls的身体上蔓延,我似乎可以听见它们共同的呼唤,mother。
每个物种都有好有坏
故事很简单,但也真的好感人,再多的技巧都会败给真情。
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剧情很简单,作为一部动画片还算合格。儿童向的动画片总是倾向于表达母爱和友谊。
Cow怪不得,感觉没头没尾的,原来是聚集的剧场版。
啊啊啊 居然有电影!
爱勇气希望理解。一切美好的东西都可以在这里找到。
电影作为两季动画片的续集,其实并不是很好看,剧情比较普通,结尾更像是寓言故事。
简笔画动画在CG当下的动画世界里越来越显得珍贵
依然是我这些年看过的最棒的动画,也强烈推荐Hilda的两季系列动画。
比起第一二季看得没有那么舒服 题材的母爱也是我的痛点……但是喜欢
重新崇尚自然,认大地为万物万灵的母亲:聆听得到母亲低语的地方长出植被,缺少母亲教导的地方才有纷争,人类在地面上建立的文明都是可以等到终结的一瞬,各种围墙、制度都像是天被地床间的一场过家家。希尔达第一季就讲了人类和精灵的关系:人类因为看不见小小的精灵,会随意地(无知地)侵犯精灵的家园,其实对于大地母亲来说人也是一样弱小,但母亲选择包容。作者是个了不起的人,不知道他是不是也有一位了不起的母亲,因为在他创造的世界里母亲和女性是这么的强大温柔……当然,也可以用幼教片的视角去看:尊重妈妈的爱,时不时地倾听妈妈的叮嘱,这些与自由奔跑并不冲突。
后面节奏有点快呀,不过还是很爱的。
最后还是挺感人的,有孩子之后没法看这种。但比较好奇的是父亲的缺失
呜呜呜是漫画里最完整的一本了我永远喜欢hilda
简言之“love&peace”!好好好可爱!
其实是很简单的爱与自然的故事,作者独有的画风和北欧风情的故事背景是吸引人之处。由于只看过第一季没看第二季所以电影的开头有些不知所措,有空就把第二季补完吧。
不要完结啊…
解开误会式的大结局
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