The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
前半段腔调很浓，但是最后发现是在计划很有随机性的事情？
这部电影应该是这样产生的，一个或几个人在那里：现在疫情这么严重，拍点什么了？一个不错的点子或剧本，用西服店精致的外表唬住观众，接着密室，花不了几个钱，再忽悠几个不贵的演员……
6.0；北野武师徒情，很真挚的感情。一大败笔是年轻的北野武也面部抽搐，这明明是他90年代车祸面瘫的后遗症啊。不过最后老年版北野武的化妆惊到我了，达到以假乱真的地步。
Rylance演得太好了，令人安心的那种好。舞台剧感像在对标Hangmen，加上又有Flynn乱入，我甚至暂停瞅了一眼编剧里有没有McDonagh……（1:11:45画面右下晃过”鬼手“……
前面有些无聊，都快看不下去了，到了漫才之后才明朗起来，最后居然还被感动到了，想去看看北野武的传记
精巧舞台风。剪裁得体，严丝合缝，不过也就挣个面子。
让男主的气定神闲显得非常悬浮
四两拨千斤啊 智斗电影 也是剧本杀电影啊 现在疫情情况下更考验剧本了
"If we only allowed the angels to be customers, soon we'd have no customers at all."
50年代芝加哥黑帮的子弹都打不死人，男朋友死了也不会落泪。
这也太温情了吧！好喜欢最后一个超现实主义的长镜头！
三星半。
ps.结尾暴击
第一次get到马克·里朗斯出神入化的演技。除此之外，剧情啊就真的非常一般。
“有些事在哪里都一样，所以我在哪里并不重要，只要我有剪刀就行。”
Well……你坐在桌子旁，摆开你的工具，然后再次开始。”
"If we only allowed the angels to be customers, soon we'd have no customers at all."
大泉洋的师傅一角演得真挚动人，越到后面越发深厚。
想不到除了立本人还有谁在尿尿的时候跳踢踏舞才不奇怪
精妙的剧本和演技，这个故事可以发生在裁缝铺、铁匠铺、糕点铺、理发店、咖啡店、木工店、烧烤店、奶茶店、螺蛳粉店、手机贴膜店、按摩店——合称「工匠精神」系列。
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