Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
如果把转折再加些黑色幽默，就更好啦，但也可能加大理解的难度和快速欢乐的效果。总体而言，还算不错。
从毛骗，杀不死，城市的边缘一路走来，有成长，有变化，只能说是合格的网大，期待毛骗团队集大成的蜕变。
故事没什么意思，但是两个主角比较深入剖析了，情感上比以前好。
优映出品，必属精品！毛骗主演回归，爷青回！
还是熟悉的配方，还是熟悉的味道！这么多年了，周围认识的人居然没一个看过《毛骗》的，遗憾遗憾…
优映文化与出奇创作组。
如果把转折再加些黑色幽默，就更好啦，但也可能加大理解的难度和快速欢乐的效果。总体而言，还算不错。
还是有浓浓的优映特色，不过总感觉缺了点什么，不是很过瘾
一栋楼里隔壁左右的邻居，就这么简单一句话，却很难得到回应。
他俩吵架那段很好，但是感觉还可以更激烈些，吵架道出了我们都是一群普通人，都有懦弱跟自私，但是什么时候都别放弃吧。冬冬致敬李小龙那段，他应该演的很爽，是不是一直想演这种😆😆
从《毛骗》系列跟过来的老粉，这一部完成度挺好的～
剧情合理，各种伏笔，有惊喜，5条线汇合的比较好，演员演技也可以
不是，粉丝滤镜真这么重吗 这也立不住啊，真不是我故意黑，全是bug😓
最后还看到了类似重案六组一集几十辆出租车围堵界面。
还不错，优映什么时候拍院线电影，至少剧情比现在上映的那些强吧
毛骗团队的制作完成度还算可以，就是那么多的凑巧反转有点太过牵强#电影 #冤家宜解不宜结
垃圾片.影片前几分钟的剧情,在短视频刷到,被吸引来的,结果整个影片就前几分钟能看.2个仇家就因为一个手机就相互帮忙?那个眼镜男真丑死了,偷男主的钱,男主竟然不报警?吵一架就走了?真扯淡,真不敢相信这是拍出神作"毛骗"的导演拍出来的电影,这么垃圾.正好刚看完烧烤之王,同样小成本网络电影,差太多了.
好看好玩（邵半仙是不是有什么不老丹药，怎么越来越年轻，越来越好看！）
还有点意思，多线交叉并进但有条不紊，只是矛盾冲突有点弱。包哥依然很包哥，王一般的男人，呵呵。
靠剧情取胜的团队没让人失望，但要做大做强其他制作都要赶上来。
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